Miller Opie"Swishing Larkspur", contemporary, wood, white oak, feather, browns, sculpture2019
2019
About the Item
- Creator:Miller Opie (1968, American)
- Creation Year:2019
- Dimensions:Height: 27 in (68.58 cm)Width: 6 in (15.24 cm)Depth: 6 in (15.24 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Natick, MA
- Reference Number:
Miller Opie
Miller Opie’s work explores and exorcises her life-altering experience that began in 2009 when she learned that she had several benign tumors that were destroying her jawbone. Over three years of surgeries and procedures inspire her to intimately explore beauty, decay and fragility. Opie has had a lifelong passion and obsession for collecting bones, shells and other natural objects. Working with found organic materials allows her the thrill of the search, the experience of discovery and the joy of combining and manipulating shapes. Opie’s desire is to create something better, something more compelling, by repairing a broken cow femur, reimagining deer vertebrae or combining moose ribs with feathers. Inspired by the new metal plate in her jaw, Opie adds brass screws, metal chain or silk thread to these discarded, decaying animal parts to give them a new life. Opie is a graduate of the Rhode Island School of Design, a member of the Sculptors Guild of New York City and is represented by Fountain Street Gallery in Boston, MA.
- ShippingRetrieving quote...Ships From: Norwalk, CT
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- "Twisting Reverie", gestural, wood, feather, browns, reds, sculptureBy Miller OpieLocated in Natick, MAMiller Opie’s “Twisting Reverie” is a gestural 23 x 5.75 x 5.75 inch Mountain Laurel wood sculpture with found feather details embedded into the wooden gra...Category
2010s Contemporary Sculptures
MaterialsWood
- "Point of Departure 8", contemporary, wood, architectural, sculptureBy Leslie ZelamskyLocated in Natick, MALeslie Zelamsky's "Point of Departure 8" is a 55.75 x 25 x 25 inch sculpture that is constructed with pine, cedar and paint. The piece consists of two ...Category
2010s Contemporary Sculptures
MaterialsCedar, Paint, Glue, Wood
- "Point of Departure 7", contemporary, wood, architectural, sculptureBy Leslie ZelamskyLocated in Natick, MALeslie Zelamsky's "Point of Departure 7" is a 30.5 x 31.5 x 15 inch wood sculpture that was inspired by circa 1942 abandoned ammunition storage bunkers...Category
2010s Contemporary Sculptures
MaterialsWood, Cedar, Glue
- "Silent Whirlabout", wood, white oak, feather, browns, ivories, reds, sculptureBy Miller OpieLocated in Natick, MAMiller Opie’s “Silent Whirlabout” is a gestural 16 x 5.75 x 5.75 inch White Oak wood sculpture with found feather details embedded into the wooden grain. It is the fourth piece in he...Category
2010s Contemporary Sculptures
MaterialsWood
- "Whirled Laurel", contemporary, wood, laurel, feathers, browns, reds, sculptureBy Miller OpieLocated in Natick, MAMiller Opie’s “Whirled Laurel” is a gestural 14 x 16 x 6 inch Mountain Laurel wood sculpture with found feather details embedded into the wooden grain. It ...Category
2010s Contemporary Sculptures
MaterialsWood
- "Whispering Dervish", wood, white oak, feather, hemlock, brown, red, sculptureBy Miller OpieLocated in Natick, MAMiller Opie’s “Whispering Dervish” is a gestural 13.5 x 5 x 4 inch White Oak wood sculpture with found feather details embedded into the wooden grain. It i...Category
2010s Contemporary Sculptures
MaterialsWood
- WaterholeBy Sherry OwensLocated in New Orleans, LASherry Owens Waterhole, 2017 Crepe myrtle, dye, paint, wax 24 x 36 x 36 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...Category
2010s Contemporary Abstract Sculptures
MaterialsWood, Paint, Dye, Wax
- Reawakening the SpiritBy Sherry OwensLocated in New Orleans, LASherry Owens Reawakening the Spirit, 2019 Crepe myrtle, steel, milk paint, dye, oil, wax 108 1/2 x 36 x 31 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...Category
2010s Contemporary Abstract Sculptures
MaterialsSteel
- Grandfather's LandBy Sherry OwensLocated in New Orleans, LASherry Owens Grandfather's Land, 2021 Bronze, patina, crepe myrtle, paint, wax 30 x 46 x 18 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...Category
2010s Contemporary Abstract Sculptures
MaterialsBronze
- Llum - 21st Century, Contemporary, Abstract Sculpture, Mahogany Wood, RootsBy Joaquim IngravidesaLocated in Barcelona, CataloniaMahogany roots The Joaquim Ingravidesa Sculpture Alliance is formed by an international group of sculptors and designers who collaborate to create...Category
21st Century and Contemporary Contemporary Abstract Sculptures
MaterialsWood, Mahogany
- Visión Laberíntica I - 21st Century, Contemporary, Abstract Sculpture, IronBy Lukas UlmiLocated in Barcelona, CataloniaLukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...Category
21st Century and Contemporary Contemporary Abstract Sculptures
MaterialsIron
- Arrel - 21st Century, Contemporary, Abstract Sculpture, Mahogany Wood, RootsBy Joaquim IngravidesaLocated in Barcelona, CataloniaMahogany roots with gold leaf The Ingravidesa Sculpture Alliance is formed by an international group of sculptors and designers who collaborate to create abstract sculpture inspired by nature. They often work together for months on monumental projects. The pieces are the result of collaborations where each artist and craftsman are invited to assist in the creation of these sculptures. Their mahogany and teak root sculptures...Category
21st Century and Contemporary Contemporary Abstract Sculptures
MaterialsGold Leaf